The Oxford History of Opera

The Oxford History of Opera

Book - 1996
Rate this:
In its lavish amalgam of theatrical and musical resources, its flamboyant charm, its extravagant appeal to the heart and the mind, and its seemingly inexhaustible power to move and astonish us, opera is clearly the most spectacular of all the arts. Now, eleven leading authorities chronicle the full sweep of this stunning musical genre, ranging from the earliest known works to such recent experimental efforts as Robert Wilson and Philip Glass's Einstein on the Beach.
The contributors--including such noted opera critics as William Ashbrook, Paul Griffiths, and Barry Millington--provide superb coverage of all the major periods. We read of the remarkable success of opera in republican Venice, where by 1650 some fifty operas had been performed, including masterworks by Monteverdi, the giant of the era. We learn of opera seria--which within the world of eighteenth-century Italian opera was the summit of prestige--and opera buffa, most noted today for three major works by Mozart: Le Nozze di Figaro, Don Giovanni, and Cosi Fan Tutti. We explore the peak of opera's popularity in nineteenth-century France, Italy, and Germany, with astute commentary on such major composers as Berlioz, Bizet, Rossini, Donizetti, and especially Wagner and Verdi. And we examine the remarkably diverse works of our own century, from Strauss's Der Rosenkavalier and Alban Berg's Wozzeck to Benjamin Britten's Death in Venice and John Adams's Nixon in China. Throughout, the contributors illuminate how opera often reflects the cultural concerns of the age, how it is part of the social fabric, and in three fascinating sections on staging, singers, and the social climate, they give us a look behind the scenes as well as a feel for what opera was like in the past. We discover, for instance, that before the late nineteenth century, patrons were not expected to arrive on time, sit still, keep quiet, concentrate on the stage action, or stay to the end (Wagner put an end to this practice by darkening the theatre).
Nowhere does the rich panoply of opera history unfold more grandly than in this volume. Authoritative, vivid, and beautifully written, it will be treasured by everyone who loves opera.
Publisher: Oxford : Oxford University Press, 1996.
ISBN: 9780192840288
0192840282
Branch Call Number: REF/782/.109/Oxf 3588mb 1
Characteristics: x, 390 p. : ill.
Additional Contributors: Parker, Roger 1951-

Opinion

From the critics


Community Activity

Comment

Add a Comment

There are no comments for this title yet.

Age Suitability

Add Age Suitability

There are no age suitabilities for this title yet.

Summary

Add a Summary

There are no summaries for this title yet.

Notices

Add Notices

There are no notices for this title yet.

Quotes

Add a Quote

There are no quotes for this title yet.

Explore Further

Browse by Call Number

Subject Headings

  Loading...

Find it at APL

  Loading...
[]
[]
To Top